Tesla Optimus — TRON: Ares Premiere
Selected as primary operator for the first public martial arts demonstration in the history of the Optimus program—executed live on the Hollywood red carpet with zero hardware or safety incidents.
Operations Lead and Senior Technical Producer. I translate research objectives into disciplined floor protocols—directing daily humanoid data operations at 1X Technologies and Tesla Optimus, and executing live public deployments where stability is non-negotiable.
Field deployments, studio operations, and technical production.
Selected as primary operator for the first public martial arts demonstration in the history of the Optimus program—executed live on the Hollywood red carpet with zero hardware or safety incidents.
Directing daily bimanual teleoperation shifts, pre-shift rig calibration, and high-volume sequential dataset QA—translating research targets into floor protocols and timestamped diagnostic logs.
Executed live bimanual teleoperation in Midtown Manhattan for national broadcast television, resolving dense urban RF and environmental edge cases in real time.
Five years directing flagship floor operations, multi-camera cinema production, and web architecture—increasing active client enrollment by over 250% across three years.
Multi-camera RAW/LOG commercial production (RED, Blackmagic, Sony) paired with custom web platforms and Python/SQLite internal operations trackers built for studio teams.
Launch Live Shift & Habit Ops Tracker ↗Operational playbooks built for high-accountability rooms.
Directing daily humanoid robotics floors and multi-operator data collection studios. Pre-shift calibration protocols, structured shift handoffs, high-volume sequential dataset QA, and timestamped diagnostic video logs.
Managing high-visibility hardware demonstrations and multi-camera commercial productions under strict broadcast timelines. Custom cinema rigging (RED, Blackmagic, Sony, Canon, DJI) and end-to-end RAW/LOG color pipelines.
Designing operational documentation, custom web platforms, and lightweight internal software that eliminate bottlenecks. Python/SQLite shift trackers, telemetry logs, and responsive web architectures.
Chronological track record across robotics, inspection QA, and media.
UCLA — Post Production (2025)
De Anza — Film/Video Production (2024)
RED, Blackmagic, Sony, Canon, DJI · RAW/LOG Color · Premiere Pro, After Effects, Avid
English & Spanish (Bilingual)